IN WHICH WILL BE FOUND WHAT IS SET FORTH THEREIN

Monday, October 18, 2010

Circulating in Le Mans




El Blogeador is taking advantage of the free access to the Orange Network in the Paris airport Novotel Hotel to upload these photos from the just completed international conference, "Poets and Publishers: Circulating Avant-Garde Poetry (1945-2010)."

It seemed only fitting that a conference on avant-garde circulation should be beset by strikes interrupting circulation throughout France. We all stayed in good humor, though, and the majority of us managed to find a way to get to Le Mans and the Universite du Maine (why is it that universities with "Maine" in their name are so friendly to poetry?), where Helene Aji and Manuel Brito, along with their able colleagues, had organized days of avant exchange among poets and critics. We were from Spain, France, the USA, Canada, Italy -- and we were all there to talk about the news that stayed. There were papers on Scottish small press publications, on visual poetics, on artists' books, on post-Umbra African American poetry, even on Robert Duncan's typewriters.



















And there were poetry readings by Jacques Darras and Jerome Rothenberg.




On the second day, strikers stopped the tram cars in their tracks in Le Mans, but that didn't stop our poetry. Most of us support the position of the strikers anyway, so just lengthened our stride a bit and visited with the workers and students in the streets.

My own Paris trains were removed from the schedule, but that just meant that I got to see the Cathedral of Chartres out the window of the much slower train that eventually got me to the conference, as I will eventually get back home. The welcoming students I met at the university and on those trains that ran did much for my own circulation.

Salud








































































Monday, October 11, 2010

NEW CALLALOO








In the same day's mail I received the new issue of Callaloo with its special Ed Roberson section and this wonderful new book of Roberson's that has just been released by Wesleyan University Press. Click here for information about the new book.

The Callaloo includes new essays by Brent Hayes Edwards, Evie Shockley, Joseph Zamsky and Joseph Donahue. (Evie's is part of her forthcoming book. Watch this space for further word on that.) There are wide-ranging interviews with the poet conducted by Kathleen Crown and Randall Horton, and a generous offering of recent poetry by Roberson. My own essay in the issue, "Face to Face with the Blues," is a critical consideration of issues of race and ethics in Roberson's late poems. (The journal surprised me by coming out when it did. I've been planning to speak from this essay next month -- but it's probably still OK as the presentation includes visual and audio materials that are not reproduced in the journal issue.)

The photo of the poet you see here is one I took when he read at the University of Louisville a couple years ago. You can find the Project Muse link for the special issue here. If you're one of those hard copy fetishists, here's the link to the Callaloo site, where you can subscribe.

Friday, October 08, 2010

WTF?!?!?!

I imagine I am not the only one who did a triple take upon seeing an editorial by Dinesh D-Souza in this morning's WASHINGTON POST.

The first and second takes were gasps of disbelief; that the WASHINGTON POST had given space to D'Souza to push the vile inanities of his new book claiming that President Obama's father, long absent and long deceased, is "shaping his values and actions." Yes, that book. The one that caused a furor when D'Souza ran an article in FORBES that they didn't bother to fact check till after publication.

The third take came, though, when I arrived at the credit line at the bottom of the editorial, where I was informed that D'Souza is now the president of The King's College in New York. Last I checked, Mr. D'Souza held no advanced degrees. He has spent most of his years in various conservative think tanks, though to judge from his published works little thinking was going on. This is someone who (just take a gander at his earlier book THE END OF RACISM and check up on a few of his footnotes) simply cannot be trusted to represent sources fairly and accurately. On his last visit to Penn State University, he told an auditorium full of students that the Bill of Rights doesn't apply to non-citizen aliens, an assertion that would certainly come as news to even our current conservative Supreme Court. For that matter, if "persons" within the borders of the United States and subject to its laws do not have access to the protections offered by the Bill of Rights it's difficult to fathom why some conservatives want to rewrite the Fourteenth Amendment to remove such protections from them.

But the 450 students of The King's College now have this sterling example of scholarly integrity to lead them into the future. I suspect at the least he will have little difficulty raising funds.

Thursday, October 07, 2010

AMIRI BARAKA AT PENN STATE

Last night Amiri Baraka came to Penn State's HUB-Robeson Center for an evening of poetry and music. The music was organized by drummer/composer Ronnie Burrage, leading a burning group featuring Marvin Horne on guitar, Russel Blake on bass and Carl Ector on violin. The evening kicked off with performances by student Hip Hop artists who worked with Burrage's group.

Baraka has probably done more work with jazz artists than any other living poet and his performance last night continued to produce startling innovations. My own favorite was a recent piece, "All Songs Are Crazy."

Baraka turns 76 today; You'd never know it from the energy of his work on the stage.



















Thursday, September 30, 2010

MICHAEL GIZZI

The first I knew of Michael Gizzi came in the form of three small books of poetry sent to me by Rosmarie and Keith Waldrop more than two decades ago. I reviewed them for the journal Gargoyle. If you're reading this on a smaller screen, you probably can't make out the text in these images -- but feel free to download them for easier viewing.

When I got news of Michael's death yesterday, I remembered the quotation from Ponge with which I began my review. A fine title for Michael Gizzi's complete poems would be "Reasons for living happily."







Wednesday, September 29, 2010

CALL FOR PAPERS

Celebrating African American Literature:

Race, Sexual Identity, and African American Literature

September 30-October 1, 2011

Penn StateUniversity

Nittany Lion Inn

http://www.outreach.psu.edu/programs/afamnovel/ (coming soon)

Join us for the next in our series of conferences Celebrating African American Literature, which will focus on representations of race and sexual identity throughout the history of the tradition. Confirmed speakers and presenters include

Sharon Bridgforth

http://www.afterellen.com/people/2008/6/sharonbridgforth

Marci Blackman http://www.marciblackman.com/

Thomas Glave http://thomasglave.com/

Duriel Harris http://www.stlawu.edu/diverse/profiles/harris.html

Trudier Harris http://englishcomplit.unc.edu/people/harrist

G. Winston James http://gaylife.about.com/b/2010/03/31/shaming-the-devil.htm

E. Patrick Johnson http://www.epatrickjohnson.com/

Randall Kenan http://englishcomplit.unc.edu/people/kenanr

Charles I. Nero http://www.bates.edu/x51736.xml

Robert Reid-Pharr http://www.gc.cuny.edu/faculty/new_faculty/reidpharr.htm

We invite paper, panel, and roundtable proposals on theoretical, critical, or pedagogical approaches to texts, topics, and authors, including any of the following:

LGBTQ Literature across histories and genres; Race and Sexual Identity; Interraciality and Same Sex Desire; Masculinity; Community; Sexuality, Desire, and The Harlem Renaissance; Homophobic Expressions; Critiques of Heteronormativity; Intersectionality; Transnational Implications; Comedy; Nationalism, Sexuality and The Black Arts Movement; James Baldwin; Richard Bruce Nugent; Marci Blackman; Ann Allen Shockley; Audre Lorde; E. Lynn Harris; Owen Dodson; Michelle Cliff; Cheryl Clarke, Alexis DeVeaux, Melvin Dixon, Thomas Glave; Shay Youngblood, April Sinclair; Alice Moore Dunbar Nelson; Gloria Naylor; James Earl Hardy; Gayl Jones; Wallace Thurman; G. Winston James; Brian Keith Jackson; Samuel R. Delaney; Helen Elaine Lee; Sharon Bridgforth; Jewelle Gomez; Jacqueline Woodson; Alice Walker; June Jordan; Carolivia Herron; Sapphire; Thomas Glave, and others.

A PSU Outreach event sponsored by the College of the Liberal Arts, the Africana Research Center, the Department of English, the Equal Opportunity Planning Committee, the Institute for the Arts and Humanities, Kelly Family Professor Aldon Nielsen, and the African American Literature and Culture Society.

Submit abstracts at AfAmLit@outreach.psu.edu by February 5, 2011. Email notifications will be sent by April 1, 2011. Conference presenters must register by August 15, 2011.

Submit questions about website/travel/lodging/directions to Jlf30@psu.edu

Submit questions about proposals and abstracts to Shirley Moody (scm18@psu.edu) or Lovalerie King (luk13@psu.edu)

Wednesday, September 15, 2010

Jayne Cortez New & Selected

That familiar defamiliarization of Melvin Edwards's art betokens the return of the original firespitter. Jayne Cortez' s first book since THE BEAUTIFUL BOOK is, as it happens, this beautiful book from Hanging Loose Press. The last "new & selected" volume from Cortez was 1984's COAGULATIONS (though the 2002 JAZZ FAN LOOKS BACK really did look back, it was limited to poems related to the music), so this is a particulraly useful publication for those of us who want to order Cortez titles for teaching.

How's this for a post modern?











"DEFINITIONS"

Democracy is a word
made up by
dispossessed porcupines
in the rectum of another word
called modernity
that's why
when it comes to puffing cigarettes
the masses are uncontrollable

Sunday, August 15, 2010

"Some People In Me" - Abbey Lincoln



In the late 1970s and early 1980s there was a cafe / performance space on D.C.'s E Street NorthWest known as DC Space. Over the years I witnessed some of the most transcendent moments of music performance of my life in that relatively small, corner room, a room that always seemed to have more people in it than the fire marshall allowed..












You weren't likely to see performers in gowns there (unless Sun Ra was on stage). But one night, Abbey Lincoln's be-suited trio took to the stage followed by Lincoln herself in a flowing, gossamer gown that seemed as much to follow her in song as to be worn by her.





Near the close of her set, the pianist launched into the opening chords that brought the room to a stunned silence, the chords to Abbey Lincoln's musical setting of the Paul Laurence Dunbar poem "Sympathy." It was Lincoln who had suggested this poem to Maya Angelou as the source for the title of her best book, and thus it is Lincoln we can blame for the fact that most of our students think the poem is titled "I Know Why the Caged Bird Sings."

As Abbey slowly built through the tensions in the song, she began moving her arms about her body, setting waves flowing through her gown:

When the first bird sings and the first bud opes,
And the faint perfume from its chalice steals —
I know what the caged bird feels!

And as she came to her final chords, she began making bird song herself. Then lifting her arms, the gown draping in wings around her, she flew away home . . .




Wednesday, August 04, 2010

SANTA BARBARA GREEK FESTIVAL

Because I'd never been to it before . . .