A MAMMAL OF STYLE

This is what that old, familiar defamiliarization looks like. I went to my office mailbox for one of the last times before they close the building for renovations, and there, I thought, was an old fiend, but it turned out on second take to be a book by an old friend. For years I've resisted submitting to journals that would require submitting my texts to recasting in Chicago, deep dish style.  But now . . . thanks to Kit Robinson and Ted Greenwald, I have a riposte. Think I may require my freshman comp students to format thusly:

Catch an eye
On the road again
Brush fingers' legend


COGNITIVE BEHAVIORAL THEREMIN


Outside your ken
World keeps going
Our arms end in all hands on deck


Anonymize weather
Homemade say no evil
Unlocket trunk line

SNOW OVER JOHANNESBURG

It is the first day of spring
The white man is rolling balls
Across the lawns of Johannesburg
Piling up new white people

These are bloodless and building
Blind monuments against
The African sun
The white man has waited seventeen years to do this
For the stuff of reinforcement to fall
From the sky
Seventeen years he's prayed beneath
The Southern Cross saying "Lord of Whiteness,
Give me a likeness unto myself.
Give me something to set out
On this land to seal
Our covenant."

It is the first night of spring
The white man is in his bed
In Johannesburg
A black woman whispers
And the snowman rises
His eyes become homing diamonds
He rises on round thighs and rolls
Into his maker's house
He rises and rolls to the white man's side
Stretching out a thick white arm
He reaches to the lips of his lord
Lusting for his easy heat he lays
His glistening fingers upon the tongue
One by one they melt there
Till the white man fills
And is still

And it is the  second day
Of spring



                                 -- from Heat Strings, SOS PRESS 1985

BEYOND A BOUNDARY

Just out from Duke University Press in their new C.L.R. James Archives series, a 50th anniversary edition of Beyond a Boundary.  It reprints Robert Lipsyte's introduction to the 1983 American edition, and adds a quite short foreword from Paget Henry.

Indispensible!

A book meant to "extend our too limited conceptions of history and of the fine arts."

AMERICAN STUDIES 2013

 Just returned from this year's meeting of the American Studies Association -- My only real complaint (aside from the perennial "not enough poetry"): too many of the panels on subjects of my greatest interest were packed into the first day.  When I saw the theme of the conference, "Beyond the Logic of Debt," I did indeed think of Ed Dorn's great poem "On the Debt My Mother Owed to Sears and Roebuck."  I heard no references to that poem over the weekend, but I heard much else of interest.

My own contribution was on a first day panel organized by Michael Bibby and chaired by Anna Everett on the topic of poetry in Washington, D.C. -- Michael gave a historically grounded talk on the Sojourn for Truth and Justice in D.C. in 1951 and the poem around which it centered. James Smethurst spoke on the career of my old friend Gaston Neal. My own talk concerned Gil Scott-Heron's D.C. years.  I was up early for the day's first session, papers organized aorund the fiftieth anniversary of C.L.R, James's BEYOND A BOUNDARY.

My Thursday peaked with an all poetry panel that was very nearly a reunion of the forces that had gathered at Penn State just a few weeks ago for our conference on African American poetry. This panel was helmed by Evie Shockley.

Later in the weekend I reunited with good buddy Jeremy Glick -- we later had dinner with Alex Weheliye; much good conversation over the injera. There were two panels in conjunction with the special funk issue of American Studies, in which some of my work on William Parker, Amiri Baraka and Curtis Mayfield appears. Tony Bolden edited this issue and was on hand to steer the panels into port. Odd to be old enough to hear academic papers on Betty Mabry Davis -- 

Journey to the Dukedom

Last month I traveled to North Carolina to spend the Columbus Day weekend at Duke University. Things started off with a meeting of Duke's Poetry Working Group, gathering at the home of long-time friends Joseph Donahue and Priscilla Wald -- Have to say I envy Duke that working group; a lively collaboration of engaged writers and thinkers -- I shared with them some of my work on Lloyd Addison, and then we had a free-ranging discussion -- The following night I read in the Manic Caravan series with Ryan Ananat, who earned extra cred with me by mixing tracks from Eugene McDaniels's Headless Heroes of the Apocalypse into the wild swirl of music with which he interacted.

I'm especially grateful to Ken Taylor, J. Peter Moore and Damien-Adia Marassa for taking time out of their holiday weekend to share their town and their thoughts with me. Thanks to Damien, again, for those photos in which I appear -- That's Damien pointing at the headless anti-heroes just above.

RECENTLY AT PENN STATE

 This Fall brought yet another inaugural poet, Richard Blanco, to Penn State for the annual Dickinson reading, sponsored by George and Barbara Kelly and the Department of English. George was on hand for the event, along with his son. Always good to see the Kellys, who have been so generous in their support of literature at Penn State. 

That reading was quickly followed by a fiction reading from Thomas Glave. I spotted Glave early the next morning attending our conference on African American and Caribbean poetry.

CELEBRATING AFRICAN AMERICAN & CARIBBEAN POETRY AT PENN STATE

It says, "Penn State Lives Here," and at least for Oct. 25 & 26 it seemed we really did.  Every other year, Penn State hosts another conference in our series CELEBRATING AFRICAN AMERICAN LITERATURE, and after several conferences devoted to prose (during the course of which we managed to slip in several poets) it was time for an entire conference on African American and Caribbean poetry. The faculty of English, the conference staff and student volunteers did a wonderful job of putting this together, under the leadership of Lovalerie King and Shirley Moody Turner. After the obligatory welcomes, the conference started off with a keynote by Erica Hunt, introduced by Grant Jenkins.  That was followed immediately by the first reading, featuring Ishion Hutchinson (who had just been announced as a Whiting Award winner earlier in the week), introduced by Laura Vrana.  Those two events set the tone for what was to follow; couldn't have asked for better framing of the weekend's discussions.

I have to say that current and former PhD students from Penn State did exemplary work.  Their papers were the equal of work done by scholars far further into their careers. Our guest scholars presented us with many surprises.  Who knew that Tsitsi Jaji would play the piano and sing as part of her work on musical settings of poems? J. Peter Moore, who I had met at Duke just days earlier, offered insightful analysis of an important, overlooked bibliographic fact: the version of a poem in Gwendolyn Brooks's Near Johannesburg Boy dedicated to Haki Madhabuti had first appeared in 1965 as a contribution to a celebration of Abraham Lincoln.  Every panel I attended afforded such revelations and instigations.

We closed the conference with a reading from Kwame Dawes, after which I got Keith Leonard and Meta Jones to contribute to my little meme.

and thanks to Howard Rambsy for this one photo of me without my camera . . .